La distancia entre yo y tu

Lo que me separa de ti
es el largo de mi pene
y la voluptuosidad de tus pechos

Te quiero y siempre querré hacerte el amor
aunque no deba
aunque ya no quiera.

La distancia entre tú y yo es el mar
atestado de botellas plásticas, pañales y tortugas recién nacidas

Cada centímetro cúbico de agua
archiconocido por ti, por mí y por ellos.

La distancia entre tú y yo es sólo el largo de nuestras narices

Lo que me separa de ti es mí propio cuerpo humano.

sumando y restando

Después de todo estoy súper en mis cabales.

Bésame

Buenas noches.

Poto.

prying open my third eye

Sé dónde estoy
sé cuál es mi lugar en el mundo
sé cuál es mi rol y sé donde me aprieta el zapato

tengo plena conciencia del mundo pero no la quiero

esta es la historia de cómo me culié a tu mina
de cómo la force y cómo se dejó.
de cómo me aproveche de un descuido para tomarle la mano y llevarla al baño y estar sin polera y con los pantalones abajo en un segundo.
de cómo nos frotamos
de cómo la mordí y la lamí
yo que siempre le tuve ganas
ella que siempre me tuvo ganas
y tú, que siempre lo supiste
bueno, todos sabían.

Carina Levitan

Carina Levitan, Porto Alegre, Brazil.
Metro sesentaycinco
contextura delgada
nariz prominente
cejas negras
melena clara y ondulada
ojos grandes y redondos
sonrisa gigante
una paleta levemente más amarilla que la otra
una versión colorida y bronceada de la PJ Harvey
Calor subtropical
sol de octubre
vestido liviano
axilas mal depiladas
harta piel
poca teta
mucho poto
muchas palabras en portugués
una larga declaración de principios acerca del quehacer musical.
En la fiesta de clausura de la 9 bienal se besan
Javier le toca el cuello, la nuca, el pelo
la ama
se sumerge detrás de su oreja
la envuelve con sus brazos y sus manos
le parece pequeña y grande a la vez
dulce y caliente
caminan a la orilla del río
se besan más
hablan portuñol
inglés
se besan más
culean ahí mismo
pueden escuchar y ver las luces de la fiesta
los autos de la carretera y el motor de algunas lanchas
paran
se arreglan sus ropas
caminan de la mano de vuelta a la fiesta
enamorados
mojados

An artist’s life Manifesto - Marina Abramovic

An artist’s life Manifesto 

1. An artist’s conduct in his life:
– An artist should not lie to himself or others
– An artist should not steal ideas from other artists
– An artist should not compromise for themselves or in regards to the art market
– An artist should not kill other human beings
– An artist should not make themselves into an idol
– An artist should not make themselves into an idol
– An artist should not make themselves into an idol

 2. An artist’s relation to his love life:
– An artist should avoid falling in love with another artist
– An artist should avoid falling in love with another artist
– An artist should avoid falling in love with another artist

3. An artist’s relation to the erotic:
– An artist should develop an erotic point of view on the world
– An artist should be erotic
– An artist should be erotic
– An artist should be erotic

4. An artist’s relation to suffering:
– An artist should suffer
– From the suffering comes the best work
– Suffering brings transformation
– Through the suffering an artist transcends their spirit
– Through the suffering an artist transcends their spirit
– Through the suffering an artist transcends their spirit

5. An artist’s relation to depression:
– An artist should not be depressed
– Depression is a disease and should be cured
– Depression is not productive for an artist
– Depression is not productive for an artist
– Depression is not productive for an artist

6. An artist’s relation to suicide:
– Suicide is a crime against life
– An artist should not commit suicide
– An artist should not commit suicide
– An artist should not commit suicide

7. An artist’s relation to inspiration:
– An artist should look deep inside themselves for inspiration
– The deeper they look inside themselves, the more universal they become
– The artist is universe
– The artist is universe
– The artist is universe

8. An artist’s relation to self-control:
– The artist should not have self-control about his life
– The artist should have total self-control about his work
– The artist should not have self-control about his life
– The artist should have total self-control about his work

9. An artist’s relation with transparency:
– The artist should give and receive at the same time
– Transparency means receptive
– Transparency means to give
– Transparency means to receive
– Transparency means receptive
– Transparency means to give
– Transparency means to receive
– Transparency means receptive
– Transparency means to give
– Transparency means to receive

10. An artist’s relation to symbols:
– An artist creates his own symbols
– Symbols are an artist’s language
– The language must then be translated
– Sometimes it is difficult to find the key
– Sometimes it is difficult to find the key
– Sometimes it is difficult to find the key

11. An artist’s relation to silence:
– An artist has to understand silence
– An artist has to create a space for silence to enter his work
– Silence is like an island in the middle of a turbulent ocean
– Silence is like an island in the middle of a turbulent ocean
– Silence is like an island in the middle of a turbulent ocean

12. An artist’s relation to solitude:
– An artist must make time for the long periods of solitude
– Solitude is extremely important
– Away from home
– Away from the studio
– Away from family
– Away from friends
– An artist should stay for long periods of time at waterfalls
– An artist should stay for long periods of time at exploding volcanoes
– An artist should stay for long periods of time looking at the fast running rivers
– An artist should stay for long periods of time looking at the horizon where the ocean and sky meet
– An artist should stay for long periods of time looking at the stars in the night sky

13. An artist’s conduct in relation to work:
– An artist should avoid going to the studio every day
– An artist should not treat his work schedule as a bank employee does
– An artist should explore life and work only when an idea comes to him in a dream or during the day as a vision that arises as a surprise
– An artist should not repeat himself
– An artist should not overproduce
– An artist should avoid his own art pollution
– An artist should avoid his own art pollution
– An artist should avoid his own art pollution

14. An artist’s possessions:
– Buddhist monks advise that it is best to have nine possessions in their life:
1 robe for the summer
1 robe for the winter
1 pair of shoes
1 begging bowl for food
1 mosquito net
1 prayer book
1 umbrella
1 mat to sleep on
1 pair of glasses if needed

– An artist should decide for himself the minimum personal possessions they should have
– An artist should have more and more of less and less
– An artist should have more and more of less and less
– An artist should have more and more of less and less

15. A list of an artist’s friends:
– An artist should have friends that lift their spirits
– An artist should have friends that lift their spirits
– An artist should have friends that lift their spirits

16. A list of an artist’s enemies:
– Enemies are very important
– The Dalai Lama has said that it is easy to have compassion with friends but much more difficult to have compassion with enemies
– An artist has to learn to forgive
– An artist has to learn to forgive
– An artist has to learn to forgive

17. Different death scenarios:
– An artist has to be aware of his own mortality
– For an artist, it is not only important how he lives his life but also how he dies
– An artist should look at the symbols of his work for the signs of different death scenarios
– An artist should die consciously without fear
– An artist should die consciously without fear
– An artist should die consciously without fear

18. Different funeral scenarios:
– An artist should give instructions before the funeral so that everything is done the way he wants it
– The funeral is the artist’s last art piece before leaving
– The funeral is the artist’s last art piece before leaving
– The funeral is the artist’s last art piece before leaving
 
Marina Abramovic.

Yo presencié el día más triste del mundo.

Fue en La Reina, una mañana esperando que llegara la liebre para llevarnos al colegio.
Justo cuando íbamos bajando la escalera suena el teléfono y David le dice a la Berni: - es la mamá!. Ella,  en ese entonces de  2 o 3 años salta de emoción y baja corriendo  a contestar el teléfono.
Yo al ver esta hueá pienso que David es un cruel rematado y probablemente lloro. Me consuela la  nana de turno. La van está esperándonos afuera, hay que salir rápido.

También presencié el día más feliz del mundo,
Fue un día con Pablo en el Central Park, cuando alimentábamos a las tortugas del tranque con escupo.